University of Hertfordshire

Mr Ivan Phillips BA (Hons) MA PhD PGCE

Ivan Phillips

Mr Ivan Phillips BA (Hons) MA PhD PGCE

Postal address:
University of Hertfordshire, Hatfield, Hertfordshire
United Kingdom

CVs

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Mr. Ivan Phillips, BA (Hons) MA PhD PGCE

  • Art and Design
  • Theorising Visual Art and Design
  • Media Research Group
  • School of Creative Arts
Postal address:
University of Hertfordshire, Hatfield, Hertfordshire
United Kingdom

Email: i.j.phillips@herts.ac.uk

Research output

Once Upon A Time Lord: The Myths and Stories of Doctor Who

Phillips, I., Nov 2018, (Accepted/In press) London: Bloomsbury Academic. 256 p. (Who Watching)

'All This Fizzing Inside': Watching the return of Doctor Who

Phillips, I., 12 Oct 2018, CST Online.

Reversing the Polarity of the Gender Flow: on reactions to Jodie Whittaker as the Doctor

Phillips, I., 28 Jul 2017, TVAD: Theorising Visual Art and Design.

In Praise Of The Moff: On The Legacy Of Doctor Who's Departing Showrunner

Phillips, I., 9 Jul 2017, The Huffington Post.

‘I am the Bad Wolf. I create myself’: lycanthropic transformations in Doctor Who

Phillips, I., George, S. (ed.) & Hughes, B. (ed.), 2017, (In preparation) The Company of Wolves: Werewolves, Wolves, and Wild Children – Narratives of Sociality and Animality. George, S. & Hughes, B. (eds.). Manchester: Manchester University Press

Is the end of time in sight for Doctor Who?

Phillips, I., 22 Dec 2016, The Conversation.

Review of Marcus K. Harmes, Doctor Who and the Art of Adaptation: Fifty Years of Storytelling (Rowman and Littlefield, 2014)

Phillips, I., 16 Jun 2016, In : Critical Studies in Television. 11, 2, p. 268-70 3 p.

A Landscape for Learning: Developing shared student-staff understanding of processes of learning in the Creative Arts

Phillips, I., Thomas, R., Jarvis, J. & Clark, K., 3 Mar 2016, (Unpublished).

Review of Kevin S. Decker, Who is Who? The Philosophy of Doctor Who (I.B. Tauris, 2013), Matt Hills, ed., New Dimensions of Doctor Who: Adventures in Space, Time and Television (I.B. Tauris, 2013) and Andrew O'Day, ed., Doctor Who: The Eleventh Hour - A Critical Celebration of the Matt Smith and Steven Moffat Era (I.B. Tauris, 2014).

Phillips, I., 1 Jan 2016, In : Critical Studies in Television. p. 130-133 4 p.

Political Incorrectness Gone Sane? Lewis, Race and Gender

Phillips, I., 6 Jul 2015, Wyndham Lewis: a critical guide. Gasiorek, A. & Waddell, N. (eds.). Edinburgh: Edinburgh University Press

A Vital Little BLAST: The War Number as a Key to Wyndham Lewis’s Thought

Phillips, I., May 2015.

‘I was a teenage Whovian but I’m all right now-eee-ooooooooo-ooo-eeh-yooooooooo’: the metafictional meanings of lycanthropic transformation in Doctor Who

Phillips, I., 2015, (In preparation).

Doctor Who and the Terror of the Vorticists: popular fantasy and the cultural inheritance of BLAST

Phillips, I., Jul 2014.

Hybrid Energies and Mutant Forms: the confessions of a pedagogical misfit

Phillips, I., Jun 2014.

Review of Miles Booy, Love and Monsters: The Doctor Who Experience, 1979 to the Present Day (London: I.B. Tauris, 2012) and Graham Sleight, The Doctor's Monsters: Meanings of the Monstrous in Doctor Who (London: I.B. Tauris, 2013)

Phillips, I., 2014, In : Critical Studies in Television. 9, 1, p. 114-116

The Vampire in the Machine: exploring the undead interface

Phillips, I., Nov 2013, Open Graves, Open Minds: Representations of vampires and the Undead from the Enlightenment to the present day. George, S. & Hughes, B. (eds.). Manchester: University of Manchester Press, p. 225-244 20 p.

Frock coats, yo-yos and a chair with a panda on it: nostalgia for the future in the life of a 'Doctor Who' fan

Phillips, I., Aug 2013, Fan Phenomena: Doctor Who. Booth, P. (ed.). Intellect, p. 16-27 12 p. (Fan Phenomena).

'Revolution is like Saturn': children as metaphors of unsettlement

Phillips, I., 2013.

Erik's Effects: The Phantom, the 'gesamtkunstwerk', and the monstrosity of spectacle

Phillips, I., 2013. 11 p.

The Hero with Eleven Faces (So Far): Doctor Who and the triumph of unsettlement

Phillips, I., 2013.

A Clash of Harmony: Forgery as Politics in the Work of Thomas Chatterton

Phillips, I., 2012, In : Critical Survey. 24, 3, p. 23-47 25 p.

The Vampire in the Machine: exploring the undead interface

Phillips, I., 2012.

In His Bad Books: Wyndham Lewis and Fascism

Phillips, I., 2011, In : Journal of Wyndham Lewis Studies. 2, p. 105-34 29 p.

The Phantom of the Media: Erik, the Gesamtkunstwerk and the spectacle of unsettlement

Phillips, I., 2011.

The Vampire with a Thousand Faces: towards a physiognomy of the undead

Phillips, I., 2011.

The Vampire in the Machine: exploring the undead interface

Phillips, I., 2010.

Dark Machines and Electric Flames: technopoetics from the romantic age to the digital age

Phillips, I., 2008.

Penmen and brushmen: The remediation of word and image in the work of Wyndham Lewis and David Jones

Phillips, I., 2008, In : Word and Image: a journal of verbal/visual enquiry. 24, 1, p. 103-14 11 p.

Enemy Lines: form, politics and identity in Wyndham Lewis's One-Way Song

Phillips, I., 2005, In : The Wyndham Lewis Annual. XII, p. 59-79 20 p.