University of Hertfordshire

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Original languageEnglish
Article numberfhx043
Number of pages22
Pages (from-to)487-509
JournalJournal of the History of Collections
Journal publication date22 Nov 2017
Volume30
Issue3
DOIs
Publication statusPublished - 22 Nov 2017

Abstract

In the late 1950s-early 1960s, the Charles Darwin memorial museum at Down House in Kent acquired a collection of Soviet paintings, sculptures and photographic albums, none of which are currently on display to the public. These artefacts were sent to the UK from the State Darwin Museum in Moscow, by its directors, the ornithologist Professor Aleksandr Kots and his wife, the animal behaviourist, Dr Nadezhda Ladygina-Kots. The ostensible reasons for the gifts were largely connected to anniversary celebrations of Darwin’s life and work. The focus on art works related to the Darwin Museum’s particular concern with the use of art to stimulate and inform visitors without the use of too much text in the displays. This article explores the potential impact of the contemporary, Soviet and international, ‘Cold War’ debates over ‘Lysenkoism’ and ‘Soviet Darwinism’, on the short-lived display at Down House, entitled the ‘Russian Room’ (c.1961-1964).

Notes

This article has been accepted for publication in Journal of the History of Collection, published by Oxford University Press, and was published as an advance article in September 2017. On November 14 it was published in vol.30, issue 3, pp.487-509. This article is published and distributed under the terms of the Oxford University Press, Standard Journals Publication Model (https://academic.oup.com/journals/pages/open_access/funder_policies/chorus/standard_publication_model)

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