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Fluid typography: transforming letterforms in television idents

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Original languageEnglish
Number of pages14
Pages (from-to)154 - 167
JournalArts and the Market
Journal publication date5 Oct 2015
Volume5
Issue2
DOIs
Publication statusPublished - 5 Oct 2015

Abstract


Purpose
– The purpose of this paper is to propose that, within the practice of motion branding, transforming type has been largely neglected by existing theorists and its importance to wider marketing trends overlooked. It will be observed that previous texts on transitional letterforms have tended to focus on changes in global arrangement and in doing so have neglected to recognise the significance of changes that occur at a local level, within individual letterforms.

Design/methodology/approach
– Taking an interdisciplinary approach, with examples including idents and bumpers from Channel 4, Sky, FOX, Five and MTV. New methods of understanding these artefacts will be introduced, with emphasis on how they affect the relationship between broadcaster’s identities and the medium of television. Modes of definition and understanding that have previously been applied to holographic poetry will be applied to the field of on-screen artefacts.

Findings
– The paper will discuss how branding has adapted to incorporate the features of the medium of television, and propose new methods of classification for the associated processes of metamorphosis, construction, parallax and revelation.

Originality/value
– Motion branding, in the form of television idents, is frequently described as containing “motion typography”, but this and related terminology is vague or misleading – and reduces all forms of kineticism to simple motion. On-screen branding often operates more complex temporal behaviours. Lack of sufficient vocabulary to describe such transformations has forced practitioners to describe their work in terms of previously existing work, thereby limiting the perceived scope of their ideas and the possibility of innovation. This paper resolves the lack of existing vocabulary by providing new definitions of four categories of fluid transformation that appear in contemporary television idents.

Notes

This document is the Accepted Manuscript version of the following article: Barbara Brownie, (2015) "Fluid typography: transforming letterforms in television idents", Arts and the Market, Vol. 5 Issue: 2, pp.154-167, October 2015. Under embargo. Embargo end date: 5 October 2017. The Version of Record is available online at doi: https://doi.org/10.1108/AAM-07-2014-0024. Published by Emerald Insight.

ID: 9294932