University of Hertfordshire

Textual Shakespeare

Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  • G. Holderness
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Original languageEnglish
Title of host publicationIn: Shakespeare In The Media: From The Globe Theatre To The World Wide Web
EditorsStefani Brusberg-Kiermeier, Jorg Helbig
Place of PublicationFrankfurt-am-Main
PublisherPeter Lang Pub. Inc.
Pages67-86
ISBN (Electronic)978-0820465593
ISBN (Print)0820465593
Publication statusPublished - 2004

Abstract

The Mona Lisa was never quite the same after the surrealists adorned it with a Salvador Dali-style moustache. But however many copies are made, however many iterations occur, something endures, something alters yet remains itself. This anecdote seems to suggest that we continue to need both ‘old’ and ‘new’ Textualisms. The altered ‘copy’ is certainly in a particular and local sense the ‘text itself.’ But what is it a copy of? Prima facie it is a copy of an ‘original.’ But in its altered state it must be an imitation not of a work, but of some potentiality within the work, something that lies even beyond the ‘original.’ Somewhere in that dark space of human creativity from which both the artefact and its multiple potentialities of duplication derived. We cannot hope to reconstruct that Platonic essence, and out dealings with the text will always entail alteration.

Notes

Copyright Peter Lang Pub. Inc. [Full text of this chapter is not available in the UHRA]

ID: 356675