Personal profile
Overview
I am a Principal Lecturer in Film and Television in the School of Creative Arts, as well as the School's Research and Admissions Tutor, overseeing applications for research degrees across all disciplines and supporting current research students and supervisors. As Media Research Group Leader, I co-ordinate research activities across Film and other areas. I joined Creative Arts after completing an AHRC funded PhD on horror film remakes at De Montfort University, and I previously taught at De Montfort and Birmingham City University.
I have published widely on horror media, seriality, remaking and adaptation, including two monographs: The Shining (Liverpool University Press, 2017) and Reanimated: The Conteporary American Horror Film Remake (Edinburgh University Press, 2022). I am also interested in analogue aesthetics in the contemporary horror genre, and the representation of women and women's bodies in horror cinema, and much of my current research focuses on this area.
I co-founded and co-convene the Horror Studies SIG of the British Association of Film, Television and Screen Studies (BAFTSS), and am the founding co-editor of the series Hidden Horror Histories (Liverpool University Press). I have presented my research at national and international academic conferences, and to public audiences at film festivals, societies, screenings and events. I have have contributed expertise to international media outlets including The Washington Post, and to film releases from Eureka Entertainment.
I am happy to help with queries from potential Masters by Research and PhD applicants across all areas of Creative Arts research, and open to supervision queries in any area related to my research interests.
Research interests
- Adaptation, film remaking, seriality and other forms of cinematic and cultural recycling
- Horror cinema and other horror media
- Contemporary US film
- Film and media franchises, marketing and promotion
- Women, body horror and medical horror
- Analogue media and its reappropriation
- Cult film and TV
- New approaches to genre
Education/Academic qualification
Film Studies, PhD, Reanimated: The Contemporary American Horror Film Remake, 2003-2013, De Montfort University
Award Date: 24 Jun 2014
Film , MA by Independent Study , Adapting Japanese horror cinema , De Montfort University
Award Date: 1 Sept 2010
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Collaborations and top research areas from the last five years
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‘It’s Always Someone You Know’: Selling the slasher legacy sequel
Mee, L., 1 Jan 2026, (In preparation) Selling Scary Movies: Horror Film Promotion & the American Market. Nowell, R. (ed.). Anthem PressResearch output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review
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“Do I Look Like Some Kind of Monster”: The Spectacle of Female Rage in Barbarian and Weapons
Mee, L. & Haylett Bryan, A., 1 Jan 2026, (In preparation) Feminine Rage: A Companion. Guthrie, C. & Fariello, M. (eds.).Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review
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In Birth and Death the Generations Embrace: Remaking The Omen
Mee, L., 1 Jun 2025, (In preparation) In: Monstrum.Research output: Contribution to journal › Article › peer-review
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Girls, horror and video in the 1980s and 1990s
Mee, L. & McMurdo, S., 1 Oct 2024, (In preparation) In: New Review of Film and Television Studies.Research output: Contribution to journal › Article › peer-review
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Hva Er Folk Horror?
Mee, L., 1 Jun 2024, Z Filmtidsskrift, 2.Translated title of the contribution :What is folk Horror? Research output: Contribution to specialist publication › Article