This chapter argues that characters like Carmela Soprano are a product of our complex post-feminist age of troubled emancipation. Indeed, Carmela is produced by a premium cable subscription company trading in a dynamic global TV marketplace and inculcates how the free market ideologies of Neo-liberalism have been assimilated and made useful particular traits of liberal feminism.
|Title of host publication||Television Antiheroines|
|Subtitle of host publication||Women Behaving Badly in Crime and Prison Drama|
|Place of Publication||Bristol|
|Number of pages||17|
|Publication status||Published - 10 Jan 2017|
- Sopranos, HBO, Carmela Soprano, feminism, m=neoliberalism