Abstract
This essay focusses on yōkai, Amabie, a mer-monster from Japan’s Edo Period (1603–1868), who is being revived to ward off the Covid-19 virus in 2020. I argue that our understanding of crises is enhanced via the hybrid monsters they engender; here, I focus on the viral spread of the apotropaic image of Amabie via the internet. I also position Amabie as a Gothic artefact, though one which invites a revision of some of the approaches to monstrosity prevalent in Gothic studies.
Original language | English |
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Article number | criq.12579 |
Pages (from-to) | 32-40 |
Number of pages | 9 |
Journal | Critical Quarterly |
Volume | 62 |
Issue number | 4 |
Early online date | 10 Dec 2020 |
DOIs | |
Publication status | Published - 10 Dec 2020 |
Keywords
- yokai
- amabie
- mermaid