Abstract
This essay focusses on yōkai, Amabie, a mer-monster from Japan’s Edo Period (1603–1868), who is being revived to ward off the Covid-19 virus in 2020. I argue that our understanding of crises is enhanced via the hybrid monsters they engender; here, I focus on the viral spread of the apotropaic image of Amabie via the internet. I also position Amabie as a Gothic artefact, though one which invites a revision of some of the approaches to monstrosity prevalent in Gothic studies.
| Original language | English |
|---|---|
| Article number | criq.12579 |
| Pages (from-to) | 32-40 |
| Number of pages | 9 |
| Journal | Critical Quarterly |
| Volume | 62 |
| Issue number | 4 |
| Early online date | 10 Dec 2020 |
| DOIs | |
| Publication status | Published - 10 Dec 2020 |
Keywords
- yokai
- amabie
- mermaid