Cleaning house: the courtly and the popular in 'The Merry Wives of Windsor’

G. Holderness

Research output: Contribution to journalArticlepeer-review


This paper explores the controversy as to whether The Merry Wives of Windsor is a celebration of royal and aristocratic power and of an imagined national community, or a suburban comedy whose viewpoint is that of the contemporary English middle-class. Drawing on recent work on female authority in household and community, it is suggested that Shakespeare's Windsor is not only discontinuous with the culture of nobility, but is presented as a parallel world or alternative universe where things are done quite differently. The play thus engages in a critique of the aristocratic values embodied in the Order of the Garter, and offers an alternative source of power in the domestic lives of ordinary women.
Original languageEnglish
Pages (from-to)26-40
JournalCritical Survey
Issue number1
Publication statusPublished - 2010


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