@inbook{165ac110986d4e2898674253ed493620,
title = "Electronic Dance Music in Narrative Film",
abstract = "As a growing number of filmmakers are moving away from the traditional model of orchestral underscoring in favor of a more contemporary approach to film sound, electronic dance music (EDM) is playing an increasingly important role in current soundtrack practice. With a focus on two specific examples, Tom Tykwer{\textquoteright}s Run Lola Run (1998) and Darren Aronofsky{\textquoteright}s Pi (1998), this essay discusses the possibilities that such a distinctive aesthetics brings to filmmaking, especially with regard to audiovisual rhythm and sonic integration.",
keywords = "EDM, Pi, Run Lola Run, Soundtrack, Audiovisual Rhythm, Sound Design, Techno, Electronica",
author = "Roberto Filoseta",
year = "2020",
doi = "10.4324/9781315106335",
language = "English",
isbn = "9781138093959",
series = "Sound Design",
publisher = "Routledge",
pages = "327--357",
editor = "Michael Filimowicz",
booktitle = "Foundations in Sound Design for Linear Media",
address = "United Kingdom",
edition = "1st Edition",
}