Abstract
This thesis studies the birth of iconic architecture between the late 1990s and
the beginning of 2000, and is focused on the work of the Dutch firm Neutelings -
Riedijk. The production of iconic architecture is analysed through a series of design
techniques:icon through drawing, icon and silhouette, icon and image, icon and
analogy, icon and decoration and icon and sculpture.
As opposed to the employment of theoretical speculation
the beginning of 2000, and is focused on the work of the Dutch firm Neutelings -
Riedijk. The production of iconic architecture is analysed through a series of design
techniques:icon through drawing, icon and silhouette, icon and image, icon and
analogy, icon and decoration and icon and sculpture.
As opposed to the employment of theoretical speculation
| Original language | English |
|---|---|
| Title of host publication | Ricerche di Architettura e di Urbanistica |
| Subtitle of host publication | Una rassegna di tesi di dottorato |
| Editors | Miriam Mastinu, Valeria Saiu |
| Place of Publication | Italy |
| Publisher | publica |
| Pages | 216-217 |
| Number of pages | 2 |
| ISBN (Electronic) | 978 88 99586 01 0 |
| ISBN (Print) | 978 88 99586 04 1 |
| Publication status | Published - 21 Dec 2016 |
Keywords
- Iconic architecture
- theory of architecture
- semiotics