Ruskin’s Poetics of Mountains and the Victorian Alpine Spirit

The Alps captivated John Ruskin, inspiring an enduring intellectual quest
that spanned his lifetime. Through his diaries and seminal texts like Fors Clavigera, Ruskin’s profound spiritual admiration for the alpine landscapes emerges, challenging both the recreational and utilitarian perspectives prevalent in his era. This article contrasts the differing approaches of British and German mountaineers during the Victorian period, showcasing how Ruskin’s perspective transcended the prevailing attitudes of his time. It also examines the influence of his philosophy on mountain aesthetics, particularly noting how it inspired artists like Elijah Walton to integrate naturalism with Romantic expressionism, reflecting a deep engagement with the beauty of creation. The article transitions to consider the cultural shift from Ruskin’s intellectual veneration to Leslie Stephen’s embodied interaction with mountains, offering a nuanced critique of how tourism and commercial endeavours have lessened their majesty. Additionally, the paper explores Ruskin’s influence on Reginald Farrer’s theory that mountains embody a unique spiritual psychology, broadening the discussion to encompass the interconnectedness between the physical and the spiritual realms. Overall, this contribution offers a contemplative exploration of John Ruskin’s profound influence on the appreciation of mountain landscapes, set against the evolving practices of Victorian and German mountaineering.