Abstract
This article considers formal negotiations of terrorism in the collaborative film work of one director (Paul Greengrass) and one actor (Matt Damon). It explores the coupling of stylistic dynamics and sociocultural concerns in the Greengrass/Damon films: The Bourne Supremacy (2004), The Bourne Ultimatum (2007) and Green Zone (2010).
| Original language | English |
|---|---|
| Pages (from-to) | 147-160 |
| Number of pages | 14 |
| Journal | New Cinemas |
| Volume | 9 |
| Issue number | 2-3 |
| DOIs | |
| Publication status | Published - Nov 2012 |
Keywords
- film
- style
- Hollywood
- terrorism
- Agamben