Abstract
This article considers perspectives of isolation as explored in the Swedish television series Wallander (2005-present). The series is thoughtful about the striving of a person, region and nation to preserve selfhood in an environment of constant flux and exchange. Set and made in contemporary Sweden, it is alert to the small-nation's position - geographical, socio-political, industrial - in the modern world. The series maps out distinct levels of attempted seclusion and intrusion across boundaries of the Swedish body politic, in national and corporeal forms. Wallander is a vital text in debates surrounding the blurring of boundaries between national television productions and film.
| Original language | English |
|---|---|
| Pages (from-to) | 37-47 |
| Number of pages | 9 |
| Journal | Critical Studies in Television |
| Volume | 6 |
| Issue number | 2 |
| Publication status | Published - 1 Oct 2011 |
Keywords
- television, globalisation, Nordic Noir, Sweden
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