University of Hertfordshire

By the same authors

Listening Ethically: Environmental Crisis, Artist Income and Streaming

Research output: Contribution to conferencePresentation

View graph of relations
Original languageEnglish
Pages4-4
Number of pages1
Publication statusPublished - 19 Jun 2019
EventThe (Un)Sound Barrier : Sound Symposium at the Royal College of Art - Royal College of Art, London, United Kingdom
Duration: 19 Jun 201919 Jun 2019
http://www.rca.ac.uk

Conference

ConferenceThe (Un)Sound Barrier
Abbreviated title(un)Sound Barrier
CountryUnited Kingdom
CityLondon
Period19/06/1919/06/19
Internet address

Abstract

At the dawn of the music streaming era (1995-2000) two tropes emerged,
1.Downloaded music existentially threatened “music,”
2.Artist-run distribution networks would end the musical “tyranny of taste.”

2019 again sees major change in how we listen,
•In April 2019, a Glasgow University funded study revealed streamed music as the most environmentally problematic ever,
•In May 2019, UK Parliament passed this motion, “We are living in a climate crisis that will spiral dangerously out of control unless we take…dramatic action…”
•In June 2019, Apple announced the end of “iTunes.”

Change to our listening habits is imminent.

Notes

Thinking about recent changes in the distribution and listening around music.

ID: 21590593