Research output: Contribution to conference › Paper › peer-review
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| Original language | English |
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| Publication status | Published - 4 Jun 2010 |
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| Event | Arts on TV - Birkbeck College, University of London, London, United Kingdom
Duration: 4 Jun 2010 → … |
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| Conference | Arts on TV |
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| Country/Territory | United Kingdom |
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| City | London |
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| Period | 4/06/10 → … |
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Abstract
Shot entirely on film and on location, Brideshead Revisited deploys a constellation of artworks to chart the story of a painter, Charles Ryder. At the centre of the programme’s aesthetic geography is Brideshead Castle (Castle Howard). The estate’s picturesque landscape garden is deployed to place an ironic distance between Ryder and the programme’s discourse. This paper will analyse the way in which the gardens at Brideshead and the landscapes painted by Ryder mark his transformation from a naïf to an arriviste narrator sick with nostalgia. In doing so, it will consider Brideshead Revisited as an artist programme.
Notes
Mark Broughton, ‘Picturesque Irony: Brideshead Revisited as an Artist Programme', paper presented at Arts on TV, London, UK, 4 June 2010.
Research output: Book/Report › Book
Research output: Thesis › Master's Thesis
ID: 9815314