University of Hertfordshire

'The Figure (and Disfigurement) in the Landscape: The Go-Between’s Picturesque'

Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

Standard

'The Figure (and Disfigurement) in the Landscape: The Go-Between’s Picturesque'. / Broughton, Mark.

British Rural Landscapes on Film. ed. / Paul Newland. Manchester : Manchester University Press, 2016. p. TBA.

Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

Harvard

Broughton, M 2016, 'The Figure (and Disfigurement) in the Landscape: The Go-Between’s Picturesque'. in P Newland (ed.), British Rural Landscapes on Film. Manchester University Press, Manchester, pp. TBA, Contested Ground: Defining Historical Landscape, New Haven, United Kingdom, 28/01/05. https://doi.org/10.7228/manchester/9780719091575.001.0001

APA

Broughton, M. (2016). 'The Figure (and Disfigurement) in the Landscape: The Go-Between’s Picturesque'. In P. Newland (Ed.), British Rural Landscapes on Film (pp. TBA). Manchester University Press. https://doi.org/10.7228/manchester/9780719091575.001.0001

Vancouver

Broughton M. 'The Figure (and Disfigurement) in the Landscape: The Go-Between’s Picturesque'. In Newland P, editor, British Rural Landscapes on Film. Manchester: Manchester University Press. 2016. p. TBA https://doi.org/10.7228/manchester/9780719091575.001.0001

Author

Broughton, Mark. / 'The Figure (and Disfigurement) in the Landscape: The Go-Between’s Picturesque'. British Rural Landscapes on Film. editor / Paul Newland. Manchester : Manchester University Press, 2016. pp. TBA

Bibtex

@inbook{b4d869ff59374354b64dd5246fb95ac2,
title = "'The Figure (and Disfigurement) in the Landscape: The Go-Between{\textquoteright}s Picturesque'",
abstract = "In order to contextualise The Go-Between{\textquoteright}s complex landscaping, this chapter combines close analysis with cross-disciplinary landscape history. It traces the film{\textquoteright}s roots from the emergence of a new discourse about the picturesque in the 1920s, through the psychogeography of L.P. Hartley{\textquoteright}s original novel, to Losey{\textquoteright}s pioneering approach to filming a country estate for The Gypsy and the Gentleman (1958).",
keywords = "The Go-Between, Joseph Losey, Harold Pinter, L P Hatley, Carmen Dillon, Country House Films, Heritage, Landscape Gardens, ADAPTATION, Childhood",
author = "Mark Broughton",
note = "Mark Broughton, {\textquoteleft}The Figure (and Disfigurement) in the Landscape: The Go-Between{\textquoteright}s Picturesque', in Paul Newland, ed., British Rural Landscapes on Film, (Manchester: Manchester University Press, 2016), ISBN 978-0-7190-9157-5, eISBN 978-1-5261-0469-4, DOI 10.7228/manchester/9780719091575.001.0001.; Contested Ground: Defining Historical Landscape ; Conference date: 28-01-2005",
year = "2016",
doi = "10.7228/manchester/9780719091575.001.0001",
language = "English",
isbn = " 978-0-7190-9157-5",
pages = "TBA",
editor = "Paul Newland",
booktitle = "British Rural Landscapes on Film",
publisher = "Manchester University Press",
address = "United Kingdom",

}

RIS

TY - CHAP

T1 - 'The Figure (and Disfigurement) in the Landscape: The Go-Between’s Picturesque'

AU - Broughton, Mark

N1 - Mark Broughton, ‘The Figure (and Disfigurement) in the Landscape: The Go-Between’s Picturesque', in Paul Newland, ed., British Rural Landscapes on Film, (Manchester: Manchester University Press, 2016), ISBN 978-0-7190-9157-5, eISBN 978-1-5261-0469-4, DOI 10.7228/manchester/9780719091575.001.0001.

PY - 2016

Y1 - 2016

N2 - In order to contextualise The Go-Between’s complex landscaping, this chapter combines close analysis with cross-disciplinary landscape history. It traces the film’s roots from the emergence of a new discourse about the picturesque in the 1920s, through the psychogeography of L.P. Hartley’s original novel, to Losey’s pioneering approach to filming a country estate for The Gypsy and the Gentleman (1958).

AB - In order to contextualise The Go-Between’s complex landscaping, this chapter combines close analysis with cross-disciplinary landscape history. It traces the film’s roots from the emergence of a new discourse about the picturesque in the 1920s, through the psychogeography of L.P. Hartley’s original novel, to Losey’s pioneering approach to filming a country estate for The Gypsy and the Gentleman (1958).

KW - The Go-Between

KW - Joseph Losey

KW - Harold Pinter

KW - L P Hatley

KW - Carmen Dillon

KW - Country House Films

KW - Heritage

KW - Landscape Gardens

KW - ADAPTATION

KW - Childhood

UR - http://www.amazon.co.uk/British-Rural-Landscapes-Film-Newland/dp/0719091578

U2 - 10.7228/manchester/9780719091575.001.0001

DO - 10.7228/manchester/9780719091575.001.0001

M3 - Chapter (peer-reviewed)

SN - 978-0-7190-9157-5

SP - TBA

BT - British Rural Landscapes on Film

A2 - Newland, Paul

PB - Manchester University Press

CY - Manchester

T2 - Contested Ground: Defining Historical Landscape

Y2 - 28 January 2005

ER -